Publications

Papers & Articles; Software & Code; Tutorials and How-Tos;

For musical outputs, and software that uses our tools, see also the commissions and made-with pages.

Publications marked with * were wholly supported by the project; those without were partially supported.

Papers & Articles

* Hart, J. (2019) The Creative Process as Instrument Making: A Case Study of Four Electronic Musicians. Tracking the Creative Process in Music (TCPM 2019).

* Roma, G., Green, O., & Tremblay, P. A. (2019) Time Scale Modification of Audio Using Non-Negative Matrix Factorization. In Proceedings of the 22nd International Conference on Digital Audio Effects (DAFx-19).

* Tremblay, P. A., Green, O., & Roma, G. (2019) From Collections to Corpora: Exploring Sounds through Fluid Decomposition In Proceedings of the ICMC-2019.

* Roma, G., Green, O., & Tremblay, P. A. (2019) Adaptive Mapping of Sound Collections for Data-driven Musical Interfaces. In Proceedings of the Conference on New Interfaces for Musical Expression 2019.

* Roma, G., Green, O., Xambó, A., & Tremblay, P. A. (2018) A Javascript Library for Flexible Visualization of Audio Descriptors. In Proceedings of the 4th Web Audio Conference, WAC-2018.

* Roma, G., Green, O., & Tremblay, P. A. (2018) Stationary/transient Audio Separation Using Convolutional Autoencoders. In Proceedings of the 21st International Conference on Digital Audio Effects (DAFx-18) (pp. 65-71).

Bowers, J. & Green, O. (2018) All the Noises: Hijacking Listening Machines for Performative Research. Proceedings of the Conference on New Interfaces for Musical Expression 2018.

* Green, O., Tremblay, P.A. & Roma, G. (2018) Interdisciplinary Research as Musical Experimentation: A Case Study in Musicianly Approaches to Sound Corpora. Electroacoustic Music Studies Network Conference.

* Roma, G., Green, O. & Tremblay, P.A. (2018) Improving Single-Network Single-Channel Separation of Musical Audio with Convolutional Layers. In 14th International Conference on Latent Variable Analysis and Signal Separation (Lecture Notes in Computer Science (LNCS)). Springer Verlag.

Roma, G., Xambó, A. & Freeman, J. (2018) User-independent Accelerometer Gesture Recognition for Participatory Mobile Music. Journal of the Audio Engineering Society.

Xambò, A., Roma, G., Lerch, A., Barthet, M. & Fazekas, G. (2018) Live Repurposing of Sounds: MIR Explorations with Personal and Crowd-sourced Databases. Proceedings of the 18th conference on New Interfaces for Musical Expression.

Xambó, A., Roma, G., Shah, P., Tsuchiya, T., Freeman, J. & Magerko, B. (2018) Turn-taking and Online Chatting in Remote and Co-located Collaborative Music Live Coding. Journal of the Audio Engineering Society. Vol. 66, Issue 4, pp. 253-266.

Software & Code

The official project repository on GitHub will hold all official software linked to the project, as well as some work-in-progress. Below is the list of most publicly released, including some useful digital debris.

* Roma, G., Green, O., & Tremblay, P. A. (2019) Fluid Corpus Map: Adaptive Mapping of Sound Collections for Data-driven Musical Interfaces. Huddersfield.

* Roma, G., Green, O., Xambó, A., & Tremblay, P. A. (2018) fav.js: A Javascript Library for Flexible Visualization of Audio Descriptors. Huddersfield.

Roma, G., (2018) FluidSound: An MIR-based Sound Browser for SuperCollider. Huddersfield.

* Tremblay, P.A. (2017) Three Utility Scripts in Python for Reaper. Huddersfield.

Tremblay, P.A. (2018) ipoke~ / IBufWr: An Interpolated Buffer Writer for Max, Pd and SuperCollider. Huddersfield.

* Tremblay, P.A. (2018) OfflineBufferProcesses: Offline Buffer Processes for SuperCollider. Huddersfield.

Tutorials and How-Tos

* Tremblay, P.A. (2017) Starting a MSP External Project for XCode. Huddersfield.